Tangled up in Strings - A Review of Avengers: Age of Ultron

The problem with sequels is that they are always compared to the titles that preceded them. Occasionally, you get sequels to films and games that are that much better than the older siblings in the series. Toy Story 3, Terminator 2, and as an example within the Marvel cinematic universe, Captain America: The Winter Solider. These are all examples of sequels that many consider to be the better, if not the best movie of their respective series. So the question is, where does the much-hyped Avengers sequel fall? Unfortunately, in that very comparison to the last film; The Avengers, we see the flaws in Age of Ultron. Avengers: Age of Ultron is still a great film,  but while I felt excited and satisfied when I left the theatre watching the first one, I couldn't help but feel unsatisfied with the sequel.

Let's start off with the stuff that works. Where the film works very well; as is to be expected of Marvel movies, is the action sequences. Actually, action sequences doesn't sum up what you see on screen. More akin to "epic battle art",  the film hits the ground running (or in this case fighting) from the moment the Marvel title card fades to black. Fights are incredibly well-choreographed and every Avenger retains their badass status with some truly impressive combat scenes. From the the opening assault on Baron von Strucker's Hydra fortress to the literally earth-shattering final fight with Ultron, you get the sense that Joss Whedon definitely understands what the word "awesome" means. But fights alone do not a movie make, well at least not a great one. Thankfully the actors playing those doing the fighting do a great job bringing them to life outside the battlefield.

The original Avengers once again prove that the chemistry is still there and is a pleasure to watch. Mark Ruffalo and Robert Downey Jr are still my favourites, but Chris Hemsworth, Jeremy Renner, Scarlett Johannson, and Chris Evans all provide great performances. Newcomers Elizabeth Olsen and Aaron Taylor-Johnson as Wanda and Pietro Maximoff; otherwise known as Scarlet Witch and Quicksilver, also give good performances, though slightly limited due to their role in the story. However you can't have an Avengers movie without a good villain, and James Spader as Ultron definitely delivers. Unfortunately even a great cast can't save a mediocre story and slightly forced jokes, which is the core of Age of Ultron's problems.

The premise is simple enough, The Avengers recover Loki's sceptre which is then used by Tony and Bruce in an attempt to create Ultron to protect the planet. While they seem to fail in even creating an AI, they accidentally create one with some homocidal tendencies. Ultron teams up with Mutants "Enhanced" humans Scarlet Witch and Quicksilver to bring down the Avengers. What follows is a predictable storyline very reminiscent of the first film. In fact the similarities are what make it that all the more obvious that the writing and jokes just aren't up to snuff with the film's predecessor.  Yes, there are still very funny moments but what we see is a movie that is trying way too hard to recapture the magic we saw three years ago. In addition there are some odd storyline elements that don't really make sense when everything is put together. I will give them credit for making a Hulk and Black Widow romance see plausible, or at least as plausible as it could have. Perhaps the movie was doomed to be lackluster in this area, however you can't but feel that it all feels a bit forced.

Is Age of Ultron worth seeing? Yes, absolutely. It's still a ton of fun and the awesome fights are alone worth the price of admission. Is it a sign that we need new avengers? Also yes. One of the reasons why Guardians of the Galaxy was so successful was the introduction of characters we'd never seen before. As much we love our current roster, it's better to change up now then hate them while they're still here. Without spoiling too much we do see a new Avengers line up at the end of the film, and I'm more excited about that prospect that I was throughout most of the entire duration of the movie.

Score 7.5/10

Oscar Nominated Shorts 2015 (Live Action & Animated) - Short but Not so Sweet

Part of my award season ritual involves going to see both the oscar nominated live action and animated shorts. It's something I view as a tradition as I've watched the nominees in these categories for the past five years. As I said in my review of last year's nominees, the amazing thing about short films is that their greatest strength is their brevity. However, in order for a short film to be successful it has to make an impact. Quite frankly in comparison to last year's nominees, this year's just aren't as good. Not to say they aren't bad but compared to the variety and brilliance of last year's films they simply don't impress as much. With that said though, below are my short reviews for these short films. All are still worth watching at least once.

Live Action

Aya

An interesting concept, the story follows a woman who is mistaken for someones else's hired driver from the airport. However rather than trying to correct the man's mistake, she revel's in the attention. The film is well shot and like I said the premise is interesting. However despite the film's strengths it feels slightly too long, and also by the end there isn't really a conclusion that makes the entire experience feel justifiable.

Boogaloo and Graham

The comic relief of the nominees, the film was the TIFF's pick during the 2014 Toronto International Film Festival. It follows two Irish boys who get chickens as pets, totally changing their lives for better and for worse. It's a nice light-hearted movie and has some good laughs, but it's also incredibly predictable. Side note, why they use subtitles for the boys is confusing as their accented english isn't by any means incomprehensible.

Butter Lamp

This was an interesting piece. The premise is simple, it's merely two photographers taking pictures of tibetan villagers in front of different backdrops. It's effortless and powerful, showing that even the most basic of ideas can stir a myriad of emotions from the viewer. Even the ending is striking and in some ways completely changes the audiences understanding of the film.

Parvaneh

While watching Parvaneh, I thought I had the film's story figured out. It starts out like so many films where the protagonist is trying to make a new life in a new country and struggles to make ends meet. As a result I was pleasantly surprised when the film took a twist and became an interesting commentary on friendship, loyalty, and a reflection on how so many of us treat outsiders. It's a well written film and the performances are understated but excellent. I'm sorry for misjudging you Parvaneh.

The Phone Call

A bittersweet short that deals with themes of death and suicide, The Phone Call is a piece that has some absolutely astounding performances. Heather is a suicide hotline worker who receives a call from a very troubled caller. What plays over the rest of film is an emotional and powerful dialogue between the two. Without giving too much away, my only complaint of the film is the latter half of it's ending. It feels a little out of place with the rest of the film.

Oscar Pick: The Phone Call

I'm not exactly sure what it says about me, but I really liked The Phone Call. I think its dialogue and the themes it deals with are why I think it's worthy of an academy award. Butter Lamp would be a very close second, as in a way it's the opposite with its "show, don't tell" approach.

Animation

The Bigger Picture

A multi-dimensional stop motion film, The Bigger Picture shows the story of two adult siblings trying to take care of their ailing mother. The progression of the film feels almost dream-like and disjointed, with scenes jumping forward and backwards in time in a surreal manner. It's not a very interesting film overall, but it is very interesting to look at.

The Dam Keeper

Incredibly beautiful, The Dam Keeper is a film about a young pig that is alone in his town as the sole dam keeper, who keeps the dark miasma at bay from the town. Over the course of the film he meets a young fox who helps him learn that he doesn't have to be alone. A very nice piece, even if it is a little on the childish side.

Feast

Disney's entry for the academy awards, I've seen it tons of times and after a while like day-old bread it gets a little stale. The animation is amazing and the story is cute, but it's only worth seeing once. And if you went and saw Big Hero 6 last year, you've already seen it to.

Me and My Moulton

I'm not exactly sure what is up with the Canadians and slice of life animated films, but here's another one. But, unlike the others this one is far more entertaining. Animated like a child's drawing, it's simplistic style is combined with a very funny story. It follows the story of a Norwegian family with three young daughters whose parents are modernist architects. It explores the age old story of what happens when your family is so different compared to anyone else's, and in the end accepting those differences.

A Single Life

Only two minutes long, this short is a prime example of how a well-executed short film can convey so much in such a such a short time. This darkly comic and clever cartoon combines music, time travel, and mortality in a very entertaining way. And all in two minutes! Did I also mention that the music is fantastic

Oscar Pick: A Single Life

A Single Life is what every short should aspire to as it is the perfect combination of length and impact. As odd as Me and My Moulton was at times, it was incredibly fun to watch and would be a close second for the award.

Rest in Peace Monty Oum

When I was in high school, I came across a video on Game Trailers that was unlike anything else I'd seen before. It was an animation piece called "Dead Fantasy I", an animated fight sequence between the female characters of the Final Fantasy and Dead or Alive franchises. Actually, simply calling it an animated fight sequence doesn't do it enough justice. Rather than try to describe what a masterpiece of choreography it is, you can watch it below.

It was then that I first learned of Monty Oum, an incredibly talented and creative individual who sadly passed away on February 1st, 2015. News that he was in critical condition was announced the Friday before, with a link to a fund to raise money to support his wife and family in this very difficult time. The response was phenomenally supportive with the fund receiving many generous donations. It is a testament to his character and the love that so many people have for him. In addition to donating I thought I would just highlight some of the amazing pieces he worked on and showcase what a true visionary he was.

Haloid (2007)

Perhaps the first video that brought him to the limelight, an epic fight between Samus Aran and Master Chief (or in this case Spartan-458) was our first taste of his amazing ability to seemingly do it all.

Dead Fantasy (2007-2009)

Combining amazing combat choreography, sharp animation, and two of the largest gaming franchises of all time, Monty managed to create series of action-packed and thrilling episodes. The series was put on hold after Monty was hired by Rooster Teeth, but even after all these years the fights are still a pleasure to watch.

Red vs. Blue

Monty was hired by Rooster Teeth in 2009 to work as a character animator and choreographer on the hit online show Red vs. Blue. While for most of us the show is about the comedy rather than the combat, his addition to the studio can be seen in the show from Season 8 onward in the series' leap in animation quality for certain segments.

RWBY

As the show's creator and lead animator, RWBY is in many ways the essence of his style and talents. From the show's anime aesthetic to the awesome weaponry, Monty created a vibrant and exciting universe to explore.

Monty had the unique ability to envision the entire film from start to finish, and as you watch his works it becomes all the more clear. Even though he was taken from us far too soon, he managed to create great things and inspire thousands. Obviously everyone is still coming to terms will such a massive loss, and therefore it is all the more important that we remain supportive of his family and friends. The fund is still accepting donations if you're looking for ways to support, you can find that here. As Matt Hullum wrote in his journal on how to honour Monty,

As for honoring Monty, we will do that in our own way. In lieu of flowers or gifts, we ask that you simply do something creative. Use your imagination to make the world a better place in any way that you can. If you know Monty like we do, then you know he would certainly be doing that if he were able to.  

Rest in Peace Monty, You Will Be Missed.

The 72nd Golden Globes

Because I’m actually trying to legitimize myself as a “pop culture” critic, I attempted to multi-task and play Civilization: Beyond Earth while watching this year’s Golden Globes awards. I also felt compelled to watch as this was the last show to be hosted by the near-perfect when it comes to comedy, Tina Fey and Amy Poehler. Or as they put it, “The 72nd and final Golden Globes.” Obviously there were good jokes, bad jokes, and speeches that went on too long, but who won what awards is ultimately the focus on any award show. And like every year, there are there choices you agree with, disagree with, and ones you are indifferent about.

Couldn’t have picked better myself

To my surprise the HFPA and I were thinking along the same lines this year about which films, shows, actors, and creative professionals deserved to be called the best in their category. Normally I find that for the bulk of the award season, the awards go to films that I don’t think deserve them or deserved them but I didn’t quite like them as much as another film that was nominated. This year, whether it was because of the high quality of films or because I think they almost all deserve to win, the HFPA  and I actually agree on our choices for the most part.

In my end of year blog, I expressed my hopes that Boyhood would win the accolades that it deserved. It certainly did that. Winning Best Picture for Drama, Best Director, and Best Supporting Actress, it won all the categories that I thought this masterpiece was worthy of. Sure it didn’t win best supporting actor or best screenplay, but considering the other nominees this year they had really tough (and good) competition.

What I also did in my end of year blog is forget that Grand Budapest Hotel existed, which is (even though I didn’t write it) one of my favourite films from last year. So when it won for Best Picture for Comedy/Musical I was absolutely thrilled. While I may not have 100% agreed with their choices for Best Actor for Drama and Best Animated Film, considering how great all the nominees were this year I can't really disagree with them either. 

Changed the Channel

While I definitely didn't miss the big awards, I got bored during a majority of the television awards. It's not that I didn't watch any of the shows nominated this year, I just didn't watch most of them. Playing Civ: BE probably didn't help, but as I talked to friends about this year's show and read tweets by fellow viewers, the Golden Globes did often lose its steam. Whether due to video games, lack of interest, or lack of laughs, I'll admit that I didn't watch the entirety of show with interest. But for what I was interested in, I definitely stopped playing and started watching.

End of an Era

As I said earlier in the post, one of the reasons to watch this year's event is for the spectacular hosts. Tina Fey and Amy Poehler once again brought the laughs to the Golden Globes. What makes this all the more special is that this will be indeed the last Globes to be hosted by incredible duo.  Funnily enough, during the Golden Globes countdown on NBC prior to the start of the award show, the hosts speculated that the Tina and Amy would hold nothing back. Well, the Bill Cosby jokes were definitely evidence of that. That said though, the jokes were great. Not only from Tina and Amy, but from the presenters as well (Ricky Gervais was surprisingly good). But the creme de la creme were definitely in the monologue. Especially the joke about George Clooney's lifetime award and the game of "Who'd you rather" as well. 

Part of my interest in any award show apart from the nominees is whoever hosts it. With Tina Fey and Amy Poehler moving on to other things, who knows who will take on the daunting task of hosting. Some have suggested Kristen Wiig and Bill Mader, which would hopefully keep the same type of humour in the show. Only time will tell. But with the 2015 Golden Globes now over and Margret Cho no longer costumed as a disgruntled North Korean, we congratulate the winners and thank Tina and Amy for a phenomenal job these past three shows. You will be missed.

There and Back Again: A Review of The Hobbit: The Battle of the Five Armies

Diclaimer: Normally I try to avoid spoilers as much as possible, however in the case of this review I have to bring up key plot points from both the movie and the book to explain how the film does or doesn’t work. Sincerest apologies

Although it may not seem like it, it’s been 11 years since Peter Jackson brought his first epic to a close with The Return of The King. To put it simply, it was film like no other. To this day it still holds a 95% on Rotten Tomatoes and a 94 on Metacritic, and at the 2004 Oscars it swept all 11 categories it was nominated for; including Best Picture. In fact it’s so good that it’s done something that I wish it hadn’t done. It’s made the flaws in the Hobbit trilogy that much more apparent.

This year, the second epic trilogy by Peter Jackson concludes with The Hobbit: The Battle of the Five Armies. To say that I was excited for seeing this movie would be a gross understatement. Every time I saw a trailer I couldn’t help but lament at how far away December 17^th was.  And, with how The Desolation of Smaug was a much better movie in comparison to An Unexpected Journey, it seemed that this film was going to be even better. So when I came out of the theatre with my friends on opening night, I felt both incredibly satisfied and yet slightly disappointed. The film is great, as good as The Desolation of Smaug if not better. But as a huge fan of the book, elements of the movie’s plot and deviations from book left a slightly sour aftertaste. As an aside, I’m usually one to let differences between the book and the movie slide, even in the last two Hobbit movies. But for a reason I can’t quite explain, I couldn’t it let go. I’m going to expand on this further later in the review, but as quick abstract before I get on with it: In many ways The Battle of the Five Armies is the best way to end the hobbit trilogy, but the decisions and deviations made in the previous films come back to sully the quality of this final chapter.

Plot, Pacing, and Performances

The film encompasses the last portion of the book, which really boils down to the last few chapters. This includes the death of Smaug, the titular battle of the five armies, and well… the aftermath of the battle of the five armies. One of the issues with the entire trilogy has always been what it is trying to accomplish, expanding one book into three. While the first two movies accomplished this relatively well, the third movie feels both well paced and rushed. In that sense the film just does what it says exactly what is says on the tin. There’s a battle, people die, good guys win, Bilbo goes home, the end. If you were to watch the trilogy all in one go in a supercut, this would feel ok, but since it is a stand alone feature… it feels odd as the third part. And yet because of its flaws, this feels like the most fitting ending to the trilogy.

Despite the film’s odd pacing, the performances are superb, especially of leads Martin Freeman and Richard Armitage, who both in my opinion are reason enough to see the film. Everyone else does a great job as well, with the exception of Legolas; who doesn’t do a bad job by any means, but seems to have been reduced to “guy who does all the ludicrous action shots”. No amount “My mother died here” or “Daddy doesn’t love me enough” can really bring depth to his character. In fact there’s so much of “The Battle” that it’s Bilbos and Thorin’s interactions that feel the most real, the attempted love subplot with Tauriel and Kili while nice felt a bit contrived, especially if you’ve read the books and know what’s about to happen. Which brings me to my next points and my main issues with the film, the deviations from the book.

Differences (Major spoilers)

I should first point out that there are some differences between the book and the movie that work better, The death scenes of Kili, Fili, and Thorin being the prime example.  In the book they aren’t handled that well, especially with Thorin on his deathbed in a tent dying from his wounds. In the film it’s that much more real and heart-breaking, especially his final words with Bilbo. We feel the palpable emotion as Bilbo struggles to keep himself together as he looses a dear friend. What didn’t work was again this focus on the doomed romance between Kili and Tauriel. How a dwarf managed to woo an elf who has been alive significantly longer than he has in two days seems really stupid. Now if they had done it like a friendship a la gimili and legolas I might have felt not as annoyed, but the fact that she is so distraught by his death at the end seems incredibly unrealistic, even as I try to suspend disbelief.

The other gripe I have with the film’s use of the source material is the ending. It ends with the where we started in Bag End with the beginning of the Lord of the Rings. In the book it ends with Bilbo being visited by Balin and it’s all sunshine and rainbows. Now, this gripe really stems from how they started the first movie with essentially the film hand-holding the audience to remember that this was a prequel trilogy. However, I can’t help but think the ending felt rushed and not really a conclusion to Bilbo’s adventure, but really just  “and now on to Lord of The Rings”. Maybe if there’s an extended scene with this part of the book, We could make a supercut with the footage to suit my preferences, but alas I doubt that’s the case.

Back Again

As an end to the trilogy, this film does the best it can do given the circumstances.  It had a good, but rough start, a great middle, and an action-packed and fun finale. Deviations aside, it did a great job portraying the story of the hobbit in Peter Jackson’s vision. The trilogy itself might never hold up against it’s big brother, it’s was still really fun journey that I will still aways want to go there and back again.

Score: 8.5/10

Toronto International Film Festival 2014: First Time For Everything

This year's Toronto International Film Festival was special for numerous reasons. It was the first year that they closed a portion of king street for a street festival that celebrated... well, the festival. It was a year when there were so many big premieres that they couldn't stay contained to the first few days of the festival. But more importantly, it was this year that I actually got to go to TIFF.

I've been wanting to go for years. Hell, I've wanted to go since I first heard about the festival when I was 12. But for one reason or another (not living in Toronto, not having time to go, not having money, being surrounded by sharks) I haven't had the opportunity to go to any TIFF screenings. However, this would not be another year that I would simply stand by and watch films at their major release. I could finally go see films, see famous people, be a part of TIFF. But I couldn't jump right in a get a package to commit to a bunch of random films, I have a job and other commitments. So I bought two single tickets to see Before We Go, and Kingdom of Dreams and Madness, and thought that this was an ok introduction to the festival... and maybe next year I'd have a better sense of my schedule.

Fast forward to September 6th and I'm getting up at 6am to go stand in the rush line for an hour and a half to get tickets for The Tale of Princess Kaguya. When I tell people this portion of my festival experience they either look at me like I'm crazy, or they're impressed by my "dedication". While it doesn't really compare with people who take time off to see 26 movies over the course of the festival, there was something so exciting and satisfying about getting up that early to see a movie that I couldn't wait to do it again. Even getting tickets to see The Imitation Game at an extra screening with hundreds of other people was wonderful. The line was around the block and nearly did a lap of it. But again, totally worth.

While not all the films I saw were masterpieces, they were all very good. But what I take away from my time at TIFF 2014 isn't the movies, but the act of going to see these movie. Maybe next year I'll become a member and see even more movies. Maybe I'll even take time off so I can spend days enjoying an art form that I love. Here's hoping that TIFF 2015 will be even better, because my first taste has left me wanting more.

Top 5 Movies of Summer 2014

Disclaimer: As always, the order and contents of this list is purely subjective and open for debate

Another summer has come and gone, once again filled with generic summer block-busters and forgettable action flicks. But there have also been several brilliant films that are among the best of the year, one them even being hailed as one of the best films of the last decade. It's easy to be overwhelmed by the mediocrity and forget what truly great movies are out there. Here are my top 5 films of this summer, all of which would have been great regardless of their release season.

5. Chef

Jon Favreau's little indie gem comes in at number five. This comedy is a nice change of pace from a season dominated by explosions, depression, and more explosions. Jon Favreau's role as a chef going through a crisis-of-faith; or rather crisis-of-occupation, isn't a ground-breaking role by any means. But the writing and story are fresh and funny enough to keep the audience entertained for the length of the film. For some reason I can't help but draw parallels to Jon Favreau's earlier work "Swingers" (a favourite of mine), but thats not a bad comparison by any means. Definitely worth checking out.

4. Snowpiercer

A Korean film with an international cast that didn't get the attention that it deserved, this film is worth seeing for both the story and the performances. Its post apocalyptic world is interesting and engaging to the viewer, while every character is full of life and wonderful to watch. The best part is that nothing is as it seems, and part of the fun is figuring out the story bit by bit. Chances are you're already able to see this film outside of theatres due to its limited north-american release. So if you like post-apocalyptic sci-fi, this is the movie for you.

3. How To Train Your Dragon 2

The sequel to DreamWorks Animation's most successful animated feature, HTTYD2 risks suffering sequelitis that so many films suffer from. But it takes the characters from the first film and expands them and allows them to evolve, keeping the story fresh and allowing for the world to mature rather than stick to the same old formula. While in some ways it isn't as good as it's big brother, it's still an amazing movie. You can read my original review here for more details.

2. Guardians Of The Galaxy

When Robert Downey Jr., Iron Man himself; says that Guardians of The Galaxy is best movie that Marvel has released, you know that the film has to be special. It's already broken the record for most successful film of 2014 and is still drawing people to the theatres. There's so many fantastic things about this movie, from its story and characters, to the amazing performances and soundtrack. You can read my original review here for more details. While part of me wanted to give Guardians the number one spot, there's another movie that deserves that much more.

1. Boyhood

If you've been reading my blog, then you know that Boyhood is a masterpiece. Really that's all I want to or can say about it. You can read my review for more details. But, if you can go out and see this film you should stop reading and go and see it now.

Summer 2014 had some truly amazing movies. If you haven't seen all of the movies on this list, then you know what you need to go and see next.

Hooked On A Feeling: A Review of Guardians Of The Galaxy

When the Guardians Of The Galaxy movie was announced immediately after the success of the first Avengers movie (Pretty sure it was Comic-con 2012), I was skeptical to say the least. While Rocket Racoon is one of my favourite characters in the history of comics, creating a movie about a fairly unknown team of superheroes felt like a desperate ploy. Marvel, it seemed to me; was trying and get as much money as possible, at the expense of quality. It seems strange saying that a comic-book movie has become fine film, and yet Marvel over the last 6 years has created some pretty great movies, with The Avengers and Captain America: The Winter Solider standing out. Now while it's true that Marvel studios is of course making movies which are expected to rake in millions if not billions of dollars, just attach your name to a project doesn't make it a good movie to watch. Just look at the superhero movies from 2000-2007, most were terrible. So when that first trailer came out for Guardians, I felt bad for ever doubting Marvel Studios. After watching this fantastic movie, that feels even more the case.

Set Amongst The Stars

 The story of Guardians Of The Galaxy shifts the story away from stupid earth to the other side of the, well, galaxy. We follow Peter Quill (aka Star Lord) who after being abducted from earth as a kid, has grown up to become an outlaw treasure hunting across the stars. He inadvertently stumbles upon the plot of  the evil Ronan and ends up meeting the rest of his soon to be motley crew of anti-heroes. Gamora the assassain, Drax the destroyer, Rocket Racoon (a genetically modified talking racoon), and Groot (A sentient Tree, think the Ents from Lord of The Rings but on a smaller scale). Once they get together, the chaos ensues. The audience is taken for both an action packed and truly hilarious ride.

Now you'd think with all these new characters being shown to many people for the first time that they'd have to go through a ton of exposition to get everyone up to speed. But the beauty of the film's writing is that no one character particularly dominates, all of them have back stories that are fed to us in nice bits rather than massive chunks at any one time. They're all broken, angry, and tired of being alone. Though the way I've described it makes it sound the breakfast club of Marvel movies, its refreshing to have an origin story for a team that doesn't involve good people, they're all wonderfully, and sometimes seriously; flawed.

A Barrel Of Laughs (and Bullets)

As I mentioned previously this movie is funny. In fact funny doesn't really do it justice, because despite the films dramatic and action-filled moments there are tons of great jokes and lines. While none of the jokes are particularly original, the timing and use of them in this space opera keep you laughing through out the movie. In fact I'd recommend the movie first for it's comedy, then its action, then the drama. Because once the laughs are over, you're treated to a beautiful display of combat and gun fights. At times there can seem to be a lot on screen, but the fighting is tight and clever, each "Guardian" is skilled at what they do and it shows, much to our delight. Now, while there are serious moments in the movie, they're tinged with the films bright optimism. Now matter how bad things get, you know that in the end they're going to be ok. For some that might be a bit boring. But when so many movies, especially now with comic book movies; are bleak and gritty, it's nice to see something simple and wholesome. The kind of wholesome that involves spaceships, swearing racoons, and lots of explosions.

Awesome Mix Vol 1

Peter's walkman, his sole possession from his time on earth; is both a fantastic plot device and the catalyst for a fantastic soundtrack. Now, it's not like this mixtape by his mother is the best hits of the 70s and 80s, some of the tracks are wonderfully bad. And yet once you watch this movie and how each track is used, you can't get enough of them. In fact each scene that uses a particular track either uses it in an expected way, playing Escape (The Pina Colada Song) when, well, escaping... or sometimes in ways that are poignant and emotionally powerful. A mixtape with a lot of soul, no pun intended. This soundtrack blends in beautifully with the stunning world that James Gunn has helped bring alive. Combined with the stellar (again no pun intended) performances by everyone in the cast, you'll want to see more.

In Conclusion

In case it was already evident, Guardians of the Galaxy is a fantastic movie that you need to see immediately. There is something for everyone. In a strange way it feels like familiar and nostalgic, and yet is brand new and different for Marvel.  As there's already been an announcement of a sequel, it will be good to see more of the Guardians of the Galaxy. While I worry that the Avengers may get over-crowded back on earth, I don't have that fear when it comes to Star Lord and his friends. Perhaps that's because when it comes down to it Guardians of that Galaxy has one thing that most summer blockbusters don't have, heart.

Verdict: 10/10

Grow Up Mason: A Review of Boyhood

Growing up is something we can all relate to. Regardless of socio-economic backgrounds, interests, and friends, most of us experience the same core events that we all go through. Even as adults when we listen to children about their lives, we through memory, experience, and nostalgia can place ourselves in their shoes and remember what it was like when we were that age. But, we often don't notice how much we change year after year. When we look back on our own lives we're shocked at how much we've changed, but don't always notice it as we're growing. This very transition of childhood to adulthood is the core of Boyhood's premise, but it's the "realtime" maturation of the cast on top of a classic story that makes this one of, if not the best film of the year so far. In fact, it might be one of the greatest films ever made.

The film follows Mason as he grows from a little boy at the age of 6 to a young adult at 18. We see all the key formative life experiences and relationships of his life, but rather than have different actors play him at different stage in his life, it's the same child actor playing him literally for 12 years.

Probably the the biggest draw of the film is the fact that shooting took place over 12 years, from 2002 to 2013. Now while this technique has been done before on other projects, it has never been on this scale. The use of the same cast over the 12 year period makes the coming-of-age story that much more powerful. Everyone ages, not just the kids but the adults too. In fact while watching the film when you seriously think about the time difference between certain scenes it's mind-blowing. For example (and being vague for the sake of not giving any spoilers), there's a scene where a minor character shows up near the end of the movie last seen about three years prior. Generally, a movie would have merely shot this scene later... possibly with a subtitle saying "3 years later" to indicate the time difference. But because Boyhood isn't like any other movie, when it actually sinks in that a scene was literally shot 3 years ago and you just saw three years within the span of 30 mins, it's an amazing experience that is in many ways indescribable. We see a life that is both sped up and yet feels completely natural. You always know where the characters are in time by the subtleties in the characters and dialogue.

Mason (Coltrane) and Samantha (Linklater)

This perfect flow is a testament to possibly the best editing I've ever seen. Now there are plenty of movies that can be praised of their editing and technical direction. But considering the scope of this project and how seamless it seems, everyone involved in this movie deserves a standing ovation. But not only that,  the cast is perfect. Part of the reason why this story works so well is that everyone involved gives 110% and is believable. Props go to the children, Ellar Coltrane and Lorelei Linklater; for giving fantastic performances and pretty much letting us watch them age on screen. 

Another aspect of what makes this film so relatable apart from it's classic premise is its cultural timing. During the span of 2002 to 2013, we have the advent of social media, the surge of the digital age, and the 2008 presidential election which makes for a fantastic scene part way through the movie. When you once again realize that these scenes were shot at the year that these events were happening, it somehow makes Richard Linklater seem even more of a visionary. This magic is what will make the movie appealing for everyone but will definitely resonate with individuals of my generation, or rather those who were around the same age that Mason was during each year.

I've always wondered what it would be like to see film history on screen as it happens, such as seeing Casablanca back in 1942 or Godfather in 1972. While there have been many fantastic films in the last 14 years, there hasn't been anything that I think can be elevated to that level of cinematic landmark. However, I believe that I have experienced, along with everyone else who has seen this movie; another milestone in film. Boyhood is an incredible film and I hope a classic for years to come.

Verdict 10/10

A Repeat Performance: How to Train Your Dragon 2 Review

In 2010, DreamWorks released How to Train Your Dragon. I didn't see it when it first came out, in fact I didn't see it for about 2 years. To provide some context as to why I didn't see it at the time, the film came out with a slew of other 3D movies that seemed to be following the new benchmark in 3D movies, Avatar. Now while I still think that 3D is a gimmick and merely a way for studios to make more money, I lament that I didn't see this movie when it was first released. Because while many of DreamWorks' animated films are forgettable and generic childish features, How to Train Your Dragon has become considered by many to be one of greatest animated films of all time. While it differs significantly from it's inspiration, It's setting, characters and beautiful animation have made it a favourite for all ages. Even the cartoon series spin-off uses many of the original cast to expand the universe further without becoming too kiddie for old viewers. But is this franchise Dreamwork's Toy Story? How to Train Your Dragon 2 has arrived to eagerly awaiting fans, and with a more mature storyline and even more stunning animation, it is a sequel that is just as good, if not better; than it's older brother.

Five Years Later

HTTYD2 takes place five years after the events of the original film. Hiccup, Astrid, Fishlegs, Snotlout, Ruffnut, and Tuffnut are all now young adults and seasoned dragon trainers. What made the last film so great was the wonderful characters that made the world come alive. All the performances of characters new and old are a real treat to watch. When it comes to the six dragon trainers it's especially evident. While they all maintain they're wonderful personalities, they've clearly grown and matured allowing for great dynamics between them and their dragons. But it's not just the characters that have become more mature, the world and the story have grown as well. Combined with the laughs is a more mature storyline that will definitely tug at your heart strings. What I love the most about the movie's writing is that there's no predicting where things are headed. Sure you have some idea, but DreamWorks is continuing to prove that just because it's a kids movie doesn't mean everything is sunshine and rainbows.

Beyond Berk

Because the vikings of Berk are now at peace with their former enemies the dragons, It's gone beyond the familiar island village that we've grown to love. While the islands that surround Berk are as unknown to us as they are to most of our main cast, it's clear that we're going to be treated to a vibrant and vast world of dragons. One of the downsides to the movie is that it tries almost too hard to cram everything. And yet despite this, I still want more, maybe because the movie was almost all about Hiccup and him finding himself. Maybe a little bit more from the supporting cast would nice, in many ways they're interactions as a team with hiccup are infinitely more enjoyable to watch.

Beautiful Creatures

I think what I take away from this movie the most though is how amazing the animation is. While everything does have a cartoonish aesthetic (as it should), the details and lighting truly make everything come alive. The dragons scales look real, hell even the hair of the heroes depending on lighting looks uncanny. By far this is the most beautifully rendered animated film I have seen in a long time, if not ever. I liken it to the amazing pre-rendered cutscenes of Square Enix and blizzard, based in fantasy but rendered/animated in such detail that it looks almost real. I can't wait to see what levels they can take it.

A fantastic follow-up flick, HTTYD2 shows that DreamWorks is able to take this franchise is new directions without resting on its laurels. Is it better than the first film? Not entirely. But only because the first film was simply that close to perfection for an animated movie. But is it as good? Absolutely. Go see this movie.

Verdict 10/10

Action Quickie Review Double Feature: Godzilla and The Amazing Spider-Man 2

Disclaimer: I've got a backlog of things I want review/blog about, but real life got in the way and prevented that from happening. Hopefully things will be a bit more settled now and I can do some catching up. I'll start with something more current to get the ball rolling

After months of ice and snow (and a non existent spring), summer has arrived and with that comes heat waves, thunderstorms, ice cream, and summer blockbusters. This month, two of the year's most anticipated movies; Godzilla and The Amazing Spider-Man 2, open in theatres to fans worldwide. Both once again bringing beloved characters (and in Godzilla's case monsters) to the big screen. But the real question is, are they worth your money? While I'll be going into a bit more detail in each of the film's review; to sum it up beforehand, both are a good way to kill a couple hours, but aren't must see films by any means.

The Amazing Spiderman 2

When I saw the first Amazing Spider-Man with Andrew Garfield and Emma Stone, I not only loved the performances and chemistry between the characters, I was excited about the potential that the spiderman movies now had. But as they revealed more and more details about the latest spiderman flick, that excitement began to turn to apprehension as the small liberties that Sony and Marc Webb had taken with the last film  turn into a narrative that I didn't think I was going to like. 

I finally saw the movie and I enjoyed it more than I thought I would, but the same amazing performances by Emma Stone, Andrew Garfield, and Sally Field couldn't carry the movie with it's poor pacing, plot, and questionable future. Sure OSCORP has always been a sinister corporation, but to make them responsible for EVERY villain in the Spiderman universe is just sloppy writing and doesn't make as excited for the third movie. Maybe third time's a charm, but I'm not going to hold my breath.

Verdict: 5.5/10

Godzilla

Based on the positive reception that Pacific Rim got last year, This year's Godzilla seems to further set the trend of bringing back the "Kaiju" movies of yore. But in a way, all the great teases that we had of the famous giant lizard prior to its release built up a little too much hype. The titular monster has an important role to play in the movie, and yet he seems to be just sort of there... like the elephant in the room, if that elephant was scaled, breaths fire and fights other monsters.

The action sequences are wonderfully shot, building the epic scale required for this kind of movie. However the performances leave much to be desired. They aren't awful, just not inspiring (which on a side note doesn't fill me with much confidence for Avengers 2, as both Aaron Taylor-Johnson and Elizabeth Olsen are playing big parts in it, but that's a subject for a different post). In fact my favourite characters are the scientists who just stand there saying "that's impossible" and "could it be?" (trailing off forcing more suspense).

Unlike Spider-Man though, I'm eager to see if there is a future for the King of Monsters.

Verdict: 7.5/10